PAPER Topics

... One Hour With You (1932), and Trouble in Paradise (1932), elements of Lubitsch’s style, such as deception and corruption, role playing and performance, relationships, and the concept of desire as motivation for everything are common staples. To understand the thematic aspects of Lubitsch style, we must look at each of these in turn. Deception and Corruption There are surface deceptions and self-deceptions in all corners of The Marriage Circle. Misrepresentations are both deliberate and accidental. Even the song the notion of love is corrupt. This all but reinforces Lubutsch’s position that corruption is everywhere. No one is truly evil, but they are all self-promoting. In the beginning o ...

... turns his back..."(act 2, scene 1, ll.24,26). As the quote says, Brutus would not allow Caesar to rise to power and then turn his back onto the people of Rome. After the assassination of Julius Caesar, Brutus talks to Antony about Caesar's death. "Our hearts you see not; they are pitiful; and pity to the general wrong of Rome..."(act 3, scene 1, ll.185-186). Brutus says that Antony cannot see their(members of the conspiracy) hearts, which are full of pity. Again, this shows how Brutus loved Caesar but cared for the life of Rome and its people more. This is the only reason Brutus would conspire against Caesar. For Brutus says to himself, "I know no personal cause to spurn at him...How ...

... word honest to mean honourable, in reference to Cassio. Othello has asked him if “he [Cassio] is not honest?” To which Iago parrots back “Honest my lord?” This usage is constant with what Othello means, whether Cassio is honourable or not. However, Iago uses the word to cast doubt on Othello. By parroting it back, he is making it seem to Othello that he does not want to answer the question, that he doesn’t want to tell Othello something. This is seen in the subtext that Iago wishes to create. This use of it also contributes to Iago’s objective, to make Othello think the opposite, that Cassio is dishonourable, even though this contradicts what Iago later says. Shakespeare has buil ...

... Antigone and her exiled father Oedipus. At this point they still sing praise for King Creon and his unwavering decisions concerning the law which was placed upon the city regarding the body of Polynices: “When he weaves in the laws of the land, and the justice of the gods that binds his oaths together, he and his city rise high--but the city casts out that man who weds himself to inhumanity thanks to reckless daring. Never share my hearth never think my thoughts, whoever does such things.” (Lines 409-416) In my opinion the man laying down the law here is Creon and Antigone is the “man” wedding herself to inhumanity. The next major choral address is a turning point regarding th ...

... as Christine and Madame La Bruyere enter the foyer, talking about children’s sore throats. The two halt as they see the arriving aviator, and Christine’s clenched hands and rigid, immobile posture make notable expression of the tension she feels regarding their forthcoming meeting. Rather than cutting, the stationary camera tracks ninety degrees until it is behind the two women. The continuous camera movement reveals the object of her attention and smoothly integrates the two into one shot. The mise en scene of this particular shot lends many important insights into the nature of their relationship. As a somewhat subjective shot, it shows the importance of this arrival into the stationary ...

... Helena. The plan goes accordingly. Demetrius is pursuing Hermia and asking for her hand in marriage. But she declines for she is in love with another. Eugeus, Hermias father, demands that Theseus, the Duke of Athens, force the marriage upon his daughter. Eugeus explains that he will rid of her and “dispose of her, which shall be either to this gentleman or to her death.” But Hermia pleads her case to Theseus by saying she does not love Demetrius, but instead she loves Lysander. She will not be happy with Demetrius; therefore she should be pardoned. Lysander pleads to Demetrius “you have her fathers love, let me have Hermias.” However, despite Lysander and Hermias pleading, Theseus ...

... to think of better times at low points in their life in order to cheer themselves up so that they are able to deal with the problems they encounter, but Willy Lowman takes it one step further. His refusal to accept reality is so strong that in his mind he is transported back in time to relive one of the happier days of his life. It was a time when no one argued, Willy and Linda were younger, the financial situation was less of a burden, and Biff and Happy enthusiastically welcomed their father back home from a long road trip. Willy's need for the "drug" is satiated and he is reassured that everything will turn out okay, and the family will soon be as happy as it was in the good old days. ...

... assertive woman coping with how she is expected to act in the society of the late sixteenth century and of how one must obey the unwritten rules of a society to be accepted in it. Although the play ends with her outwardly conforming to the norms of society, this is in action only, not in mind. Although she assumes the role of the obedient wife, inwardly she still retains her assertiveness. Most of the play's humour comes from the way in which characters create false realities by disguising themselves as other people, a device first introduced in the induction. Initially this is accomplished by having Christopher Sly believe he is someone he is not and then by having the main play perfor ...

... that affect children the most. Computer violence is a quite new phenomenon. It was introduced with the launch of Wolfenstein in 1990. In «Wolfenstein» you are trapped in a maze among an army of nazis. You'll have to kill your way out. This kind of violence probably has a deeper influence on children, because they do the killings themselves. It is interactive violence. In several countries the follow-up game, Doom, was banned. The software company claimed that it didn't have a negative affect on children, because they killed mutants, not humans. But is cutting up a mutant with a chainsaw good entertainment? There is no question about it, some children and adults suffer serious damage fr ...

... committed by a small group of insane or perverted persons” (page 151). Also, the German government did an outstanding job of using propaganda to deny the truth about the camps. When the reports about the camps were believed, the government quickly went to work to repress the terror and convince the German population that nothing horrible was happening. In the film Swing Kids, the main characters are Peter, Thomas, and Arvid. They, along with many other German youth, maintain their “business as usual” by attending legal swing parties. Most of the music was banned by the government, but the swing kids insisted on not letting them take musical expression away from them. Record stores c ...