PAPER Topics

... of voice tones. Finally, after Mrs. Flowers reads the beginning of A Tale of Two Cities aloud with all the emotions of her spoken words, the only way Marguerite can respond is with a, "Yes Ma'am" (164). This shows that she is confused. Short phrases in response to long, heart filled elegies display one's confusion and awe-struck nature. Language, in terms of both the spoken and written word, has the power to awaken emotions in readers and listeners. For instance, Marguerite mentions that often her mother would refer to Mrs. Flowers with familiar terms such as "sister" (161) in a way that made her want to hide her face in shame. This is an indication that the wa ...

... and incorporation. In the Mescalero puberty ceremony, separation is achieved when the girls move in to their camp homes. During this stage, the Godmothers and Singers take the role of the parents. This may be described as a "cessation of interaction between the individual and the group in which he or she has been interacting" (Chapple and Coons, p. 485). However, there is not a complete separation from the girls and the community. There are instances (such as the time when the participants sleep while the community holds contests) when the two are physically separated, but they are near their families and friends during most of the ceremony. The stage of transition, or limi ...

... in opposition to her findings. Since I am not familiar with and have not read any of the outside texts to which Foley refers (Aristotle's Oedipus Tyrannos, Poetics, Politics, and Ethics, the Hippocratic medical texts, and the feminist theory of Carol Gilligan), I can only assume that her interpretations of these texts are correct. In any case, she uses Aristotle and Hippocrates in order to develop a historical framework against which she can judge Homer's fictitious character Penelope. This method would have led to a good argument if she had included in her analysis an explanation of what constitutes a "Classical" writer and had specified whether or not Homer was included in that group ...

... seems to be on edge from the start, as if anticipating something. Another factor that reveals a mood of wariness and caution is how the night is dark, the air is chilling, and the characters speak of "the bitter cold," (p. 9, ln.8). This evokes a mood of foreboding and mystery. At one point, Fransisco ends his watch thankfully because, "he is sick at heart," (p.9, Ln. 10). Shortly after the atmosphere is created, the reader is introduced to the idea of a ghost, which sets a mood of dread and eerieness. The men speak of the ghost with great fear, and are very apprehensive to witness it again. Also introduced is the impression of death and the supernatural. Although it is assumed ...

... again, the witches put ideas in his head. Although the witches can be held responsible for the murder of King Duncan, Lady Macduff and her son, they cannot be held responsible for the murder of Banquo. The witches only speak of Banquo when Macbeth meets with them for the second time and Act 4, Scene 1, after Banquo has already been killed. This murder is the complete responsibility of Macbeth, because the witches had absolutely nothing to do with it and it was only Macbeth's own suspicions that brought him to have Banquo killed. If Macbeth had not taken action to fulfill the witch's prophecies, he would probably have been happily living as the thane of Glamis and Cawdor at the end of the pl ...

... be basically be happy. In the beginning of the play Mama anticipated the insurance money coming. She hadn’t decided right away on what to do but she the basic idea. From the time she didn’t have money to a little bit after, Mama began to really see what her family was put through. Before the money came, the family began to have their own dreams and Mama listened. They varied, of course, but they had one primary meaning; to get out of this rut they were in and head to somewhere big. Once Mama got the money, it took a little time but she had her mind set, she went and bought a house. She felt it would be the best thing to benefit everyone in the household. She ignored the racial lines the wo ...

... If I failed or could not find a new position, what would my family think of me? Failing at a new career would also cause me to lose confidence in myself. These concerns, failure and financial, and not finding a new job made this decision very difficult. The decision to choose a new career was an extremely important one. The sole function of a career is not just to provide a means to make a living; it should have a larger purpose. The work I was doing did little for others, and in fact, served only a small, special interest group. In addition to pursuing a meaningful career, a career should be satisfying, and make some significant contributions to other people's lives. Theref ...

... her outward actions. Although Peturicho does not want to change Kate’s inward thoughts, he does not want to break her spirit. The greatest example can be quoted below. Petruchio says, "Thy gown? Why, aye. Come, tailor, let us see't. / O mercy, God! What masquing stuff is here? / What's this? A sleeve? Tis like a demi-cannon. / What, up and down, carved like an apple tart? / Here's snip and nip and cut and slish and slash, Like to a censer in a barber's shop." (4.3.86-92) Petruciho uses the beautiful gown to show Kate that she will no longer have her way. Petruicho also uses several other instances to tame Kate. Petruicho is "fashionably late" to h ...

... taste some of his non- existent amontillado. At this point, the reader knows the conflict will be one of man against man. It is an external struggle because Fortunato and Montresor are in a life and death fight. However, the conflict is largely internal, because Montresor has a fierce hatred that Fortunato is unaware of. The narrative hook seems to occur when Fortunato follows Montresor into the vault. Even if the reader was confused by the language of the first paragraph or is puzzled by the motive of the narrator, he is curious to know what will happen next. We know the moment of revenge is at hand, but what is Montresor going to do to Fortunato? Why is he taking him underground? ...

... another. Lawrence and his free verse style are reflected in the long and short lines in his poem, whereas Dickinson's structure is more of a conventional structure. Lawrence has no set number of lines per line or stanza. Dickinson, on the other hand, has four lines per stanza and although no set number of words in a line, the meter is repeated throughout the poem. Once again, we see two diverse styles from the two authors. When we examine rhyme patterns of the two poems, we begin to see similarities between the two authors. both authors seem to ignore a strict rhyme pattern. Lawrence appears to have absolutely no rhyme pattern what so ever which once again reflects his free ...