PAPER Topics

... everything goes wrong in our world; that nobody knows his place in society or his duty, what he's doing or what he ought to be doing, and that outside of mealtimes...the rest of the day is spent in useless quarrels...-it's one unending warfare. By having this character take on such a pessimistic tone, he directly contradicts the obviously over-optimistic tone of Candide. In the conclusion (page 1617) an old turk instructs Candide in the futility of needless philosophizing by saying that "...the work keeps us from three great evils, boredom, vice, and poverty." In each of these examples, the character chosen by the author comes across as a reasonable and ...

... normal people. Another symbol presented deals more with Tom than any of the other characters: Tom's habit of going to the movies shows us his longing to leave the apartment and head out into the world of reality. A place where one can find adventure. And Tom, being a poet, can understand the needs of man to long for adventure and romance. But he is kept from entering reality by Amanda, who criticizes him as being a "selfish dreamer." But, Tom has made steps to escape into reality by transferring the payment of a light bill to pay for his dues in the Merchant Seaman's Union. Another symbol, which deals with both Amanda and Laura, is Jim O'Connor. To Laura, Jim represents the on ...

... forth. In the end, the two last lines join together as the old man and his son accept that death is a part of life. Next, the references to "good men," "wild men," and "grave men" display the three basic stages of life: birth, life, and death. In stanza three, the stanza pertaining to "good men," the portion "the last wave by" depicts the old man’s generation as fewer and fewer still live. The color symbolism of the "green bay" lets us know that the speaker refers to the young and new generation of yesterday. Stanza four’s reference to "wild men" concerns the living part of life. It reveals the fact that men o ...

... up my sum" [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250] Once Ophelia meets Hamlet and speaks with him her love abandons him. Hamlet realizes that his mother and step father are aware of this love and might use this to end his threat. Hamlet must end their thoughts of using Ophelia to rid him of his condition. To do this he must destroy all the current feelings Ophelia has for him and he doe ...

... reach its limit. Nick is very partial in his way of telling the story about several characters. He admits early into the story that he makes an exception of judging Gatsby, for whom he is prepared to suspend both the moral code of his upbringing and the limit of intolerance, because Gatsby had an "extraordinary gift for hope, a romantic readiness.” This inspired him to a level of friendship and loyalty that Nick seems unprepared to extend towards others in the novel. Nick overlooks the moral implications of Gatsby's bootlegging, his association with speakeasies, and with Meyer Wolfsheim, the man rumored to have fixed the World Series in 1919. Yet, he is contemptuous of Jordan Baker for che ...

... Bathsheba replied, ‘Yes.’ His immediate reaction was to compliment her by calling her a lady, illustrating his natural tendency to see most young ladies he comes across as merely objects for personal conquest. Flattery is of course his chief weapon in charming and conquering the female heart. One of the main reasons that Bathsheba fell for him in the first place is her own vulnerability to flattery, as she is such a vain young lady. From this point on, on the occasions that he meets her, he continues to remark on how beautiful see looks, concentrating on praising her appearance. His first attempt at courtship was filled with nothing more than these praises as he quickly wormed his way into ...

... forth. In the end, the two last lines join together as the old man and his son accept that death is a part of life. Next, the references to "good men," "wild men," and "grave men" display the three basic stages of life: birth, life, and death. In stanza three, the stanza pertaining to "good men," the portion "the last wave by" depicts the old man’s generation as fewer and fewer still live. The color symbolism of the "green bay" lets us know that the speaker refers to the young and new generation of yesterday. Stanza four’s reference to "wild men" concerns the living part of life. It reveals the fact that men o ...

... crisis is based on beliefs about families. A pastor once said in his sermon, “Home is where they have to let you in.” Family use to mean blood relatives. Today people are often separated from families, whether by choice or distance. They try to form their own families with friends. These formed families are not permanent. You do not have automatic acceptance into a group that is regardless of merit. People also move away. And they do not have to invite you to Thanksgiving or give you a loan until payday. We are encouraged to be independent in a time when we need to be dependent. Families are being hurt by therapy. Therapy usually consists of a one-on-one relationshi ...

... days after Sethe's arrival, Stamp Paid brought them two huge buckets of delicious blackberries. With these Baby Suggs and Sethe decided to share the pies they would make from the berries with Ella and her husband John, and from this their generosity escalated into a full-fledged feast for all the colored people in the area. The area folks accepted the generosity, but resented the bounty of Baby Suggs and her kin. They disapproved of the uncalled-for pride displayed at 124, and were offended by Baby Suggs's excess. Because of this they failed to warn Baby Suggs and Sethe that four white men on horses who were approaching. Sethe, with the help of Baby Suggs and the community, began to bui ...

... when he commits himself to revenge. In this statement the play makes an easy to follow shift. This shift consists of giving up the role of a student and mourning son. says, "I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, That youth and observation copied there, And thy commandment all alone shall live Within the book and volume of my brain" (1.5.99-103). Hamlet is declaring that he will be committed to nothing else but the revenge of his father's death. There is no confusion about Hamlet's character. He has said earlier that he is what he appears to be, and there is no reason to doubt it. In the next act,however, Hamlet's status and intentio ...