PAPER Topics

... major examples where an object was used as a sign or omen. The first is of course the letter, it meant evil, shame, and sin to the townspeople. All it was, was a letter nothing more, nothing less. The second object that people took as a prolific sign was the weeds on a grave. They reasoned that the weeds were there because of the sins of that person, and that the weeds grew because flowers could not. People then and now take symbols too deeply and meaningful. People often take events to be meaningful and supernatural. In The Scarlet Letter the meteor meant some great act of God or the Devil was about to take place. All a meteor is, is a chunk of rock of that is being incinerate ...

... during army training, yet he continues to believe that there is a "cause and effect" for everything. is reunited with Cunegonde, and regains a life of prosperity, but soon all is taken away, including his beloved Cunegonde. He travels on, and years later he finds her again, but she is now fat and ugly. His wealth is all gone and so is his love for the Baron's daughter. Throughout , we see how accepting situations and not trying to change or overcome obstacles can be damaging. Life is full of struggles, but it would be nonproductive if people passively accepted whatever fate had in store for them, shrugging off their personal responsibility. Voltaire believes that people should not all ...

... horror and disgust filled my heart"(56). He overlooks the seemingly obvious fact that ugliness is the natural result when something is made from parts of different corpses and put together. Were he thinking more clearly he would have noticed monster's hideousness. Another physical aspect of the monster which shows a fault in Frankenstein is its immense size. The reason that Frankenstein gives for creating so large a creature is his own haste. He states that ,"As the minuteness of the parts formed a great hinderance to my speed, I resolved, contrary to my first intention, to make a being gigantic in stature ..." (52). Had Frankenstein not had been so rushed to complete his ...

... him crazy not to kill. All that Jack could do while stuck on the island was think about killing, talk about killing, and actually killing. That was his first evil trait. The second evil trait found in the savagery of Jack Merridew is unnecessary stealing. The two characters that he really stole from are Ralph and Piggy. From Ralph, Jack stole the boy followers, respect, and friends. He stole followers from Ralph by luring them into his tribe with the promise of meat and protection from the beast. He stole respect by speaking out of turn and destroying the conch, all the order the boys had. Finally, he stole friends by threatening them and also by luring them with meat and pro ...

... family proves that they no longer depend on Gregor. The scene at the kitchen table proves revealing once again when Mr. Samsa announces that he will fire the cleaning lady (17). By doing so, Mr. Samsa demonstrates that he has changed and can take responsibility. Grete (Gregor's sister) and Mrs. Samsa also show that they have changed by not contesting Mr. Samsa's decision to fire the cleaning lady. In retrospect, firing the cleaning lady is an additional step towards change from the past. The second revealing scene is the scene on the trolley. In this scene, Kafka reveals the family's plans for the future, as well as the significant changes in Grete. He also emph ...

... The first real sign of evil is when he met up with the man (Devil) in the woods. The man was carrying a shaft. The shaft was dark and appeared to have serpents rapping around it. The man's staff eventually leads Goodman Brown to the Devil's ceremony, which destroys Goodman Brown's faith in his fellow man. Upon meeting the Devil in the woods Young Goodman Brown almost immediately stated that he did not want to continue this journey with the devil. He said he was from good people and that his dad or grandfather would have never done anything like the Devil was trying to get him to do. The Devil came right back and told him of when his dad and grandfather were flogging a woman, or burning a ...

... what I saw I reeled back upon resistance. Seated at my own table in the clear noonday light I saw a person…" (P. 59) These reflections of herself upon the ghosts portray an idea that she is a ghost or it is in her conscious and Bly is driving her mad. This leads the reader to believe that the governess is actually a reflection of the ghosts. When she sees the ghosts, it's like a mirror image. And mirrors ultimately just show you yourself in full, obvious form. They are an ultimate reality. When the governess sees Miss Jessel across the lake, it could be her mirror image reflected in her mind. "Miss Jessel stood before us on the opposite bank…" (P. 71) the governess reca ...

... what Edna is fighting against in this novel. She feels that, though many women agree with this "known" rule, it isn't fair. For six years Edna conforms to these ideas by being a "proper" wife and mother, holding Tuesday socials and going to operas, following the same enduring schedule. It is only after her summer spent at Grand Isle that her "mechanical" lifestyle becomes apparent to her. She sees how much she is unhappy with the expectations, held by society, of her life and she wishes to erase them and live her life as she wants. Edna has an independent, almost self centered, nature about her. Her need for an uncontrolled lifestyle is what leaves her feeling "owned" and wanting to ...

... with mama and Maggie, Dee seeks her heritage without understanding the heritage itself. Unlike Mama who is rough and man-like, and Maggie who is shy and scared, Dee is confident, " determined to stare down any disaster in her efforts" (73) she is beautiful and dresses eloquently. Also she has a higher education having being sent " to school in Augusta " (73). She attempts to connect with her heritage by taking pictures of the house with the family in the picture. She also takes some of the handmade items of her mother’s such as the churn top which she will use " as a centerpiece for the alcove table " (76). She associates these things with heritage now, but thought nothing of them whi ...

... the most pressure from her mother, because her mother had to follow behind the word of the prodigy in town. '"Of course you can be a prodigy, too '" (141) Jing-Mei's mother, Suyuan, tells her after receiving the news of Waverly, the chess prodigy. The expectations for Jing-Mei have heightened now that her mother's friend's daughter has been held in such a spotlight, as to be called a prodigy. Suyuan takes it upon herself to make her daughter rise above the accomplishments of her peers, and prove to the mothers their family is high in the running competition, whether Jing-Mei approves or disapproves. Suyuan decides that with piano lessons she and her daughter will rise above Lindo and ...