PAPER Topics

... who has wicked thoughts, and persuades Macbeth into many actions he would not normally do. "Only look up clear: To alter favour ever is to fear. Leave all the rest to me" (Act 1 Scene 5) shows her strength over Macbeth. As Macbeth prepares to kill Duncan, he hallucinates, and many thoughts cross his mind, but when the bell sounds, "Hear it not, Duncan, for it is a knell That summons thee to heaven or to hell." (Act 2 Scene 2) and Macbeth acts promptly. After the murder Macbeth regrets his actions, but again Lady Macbeth is influential toward him, reminding his that "These deeds must not be thought After these ways; so, it will make us mad." (Act 2 Scene 2). Macbeth's true self again ...

... mother and father because he cared. In doing this he kills his father of birth, and then he frees the people of Thebes from the plague of the Sphinx and inherits the throne. It is no surprise Oedipus didn’t go insane. I guess to the result of this he gouged his eyes out. He did so many good things for his people and when it came time to find the killer of King Lais he did everything in his power to find them. He became his own worst enemy. "I am at the edge of hearing horrors, yes, but I must hear! Those words show that he was a stubborn fickle individual. Oedipus’ intentions were strong, he tried to find witnesses and people who knew anything about king Lais’ death, and things ...

... Because of his good qualities, we experience pity for him and feel that he does not deserve the severity of his punishment. His actions are not occasioned by any corruption or depravity in him, but by an error in judgment, which, however, does arise from a defect of character. Lear has a "tragic flaw" - egotism. It is his egotism in the first scene that causes him to make his error in judgment - the division of his kingdom and the loss of Cordelia. Throughout the rest of the play, the consequences of this error slowly and steadfastly increase until Lear is destroyed. There must be a change in the life of the tragic hero; he must past from happiness to misery. Lear, as seen in Act I, ...

... me? Stephano: I do. For all this service what want'st you in return. Caliban: I ask but one simple service. The death of my tyrant master. Stephano: You ask me to murder for you? Caliban: I ask only that you remove your only opponent in making me your vassal. Stephano: Well bargain'd for a monster such as thee. I shall consider it. If the scene is run in this way Caliban is developed as more human and less monster. Also it adds more urgency to the possible danger Stephano and Trinculo bring, but the comic aspect remains because the two are drunk. My second suggestion ...

... not the self that he shows to the public, or would reveal and share with Viola in her true female self, but rather his secret self, as he believes he shares with a peer. So, she grows to love him. But, Orsino's motivation is actually not love for Viola, but rather he seems to be in love with love itself. His entire world is filled with love but he knows that there might be a turning point for him, like when he says: If music be the food of love, play on; give me excess of it, that, surfeiting, the appetite may sicken, and so die. 1. (I,I,I-III) This quote shows that he knows that he is so caught up in "love", that he hopes his appetite for love may simmer when he takes more ...

... with his brother, Rameses, riding all over the kingdom in chariots. They eventually destroy some of the construction and the Pharaoh reprimanded them both for their behavior. Moses knows that the Pharaoh usually puts dishonor on Rameses when he is troublesome, so Moses takes the blame to protect his brother from the shame. This scene depicts Moses’s closeness with Rameses and the love he has for his brother. Moses then travels through the town and runs into his biological sister who tells him that he is a Hebrew. At first Moses does not believes her, but then he returns to the palace, finds his mother and she tells him the truth about his heritage. This upsets Moses because the ...

... but was forced by his wife’s arrest to become involved. He risked public condemnation and humiliation as well as the loss of his good name by having his shame publicly known and validated. Everything that could have been done was attempted by John in order to save his wife from the false accusations, which she faced. He would have moved heaven and earth if he could to prove her innocence. All marriages have their downfalls, but it is love that makes the cause worth fighting for. John and Elizabeth fought until the very end to save what they had. Despite Abigail’s lies and false attempts, she could never have what they shared, love. John loved his wife, not Abigail. He clearly showed hi ...

... is overcome by guilt and grief. He begs for his wife to be released. Furthermore, when Giles offers evidence that Putnam falsely accused a man as a witch in order to get his land, and the judge asks Corey to give the name of the man who heard Putnam's conversation as evidence, Giles refuses to give the name so to protect him, while he himself would have to hang, an act of honor and courage: “I will not give you no name. I mentioned my wife's name once and I'll burn in hell long enough for that. I stand mute.” (p. 97) Giles Corey finally becomes a true hero when he is tortured to death for remaining silent. Instead of giving the court a name, exactly what they wanted from him, whi ...

... but she ends up lying to him in ACT III Scene i. Hamlet: Get thee to a nunnery. Why wouldst thou be a breeder of sinners? I am myself indifferent honest, but yet I could accuse me of such things that it were better my mother had not borne me: I am very proud, revengeful, ambitious, with more offenses at my beck that I have thoughts to put them in, imagination to give them shape, or time to act time in. What should such fellows as I do crawling between earth and heaven? We are arrant knaves all; believe none of us. Go they ways to a nunnery. Where's you father? Ophelia: At home, my lord. Ophelia told a lie when he asked where Polonius is. She is trying to cover for H ...

... his officers and military companions, however, he is not as competent in his relationship with Desdemona. Once the suspicions suggested by Iago are brought to his attention, it takes little convincing before he is willing to seek revenge against both Desdemona and Cassio. The contrast in his quickness to judge his own wife versus the trust he has in Iago reveals the lack of competence in romantic relationships that had not been clearly evidenced until this scene. The temptation to blame Desdemona and hide his incompetence, reveals to the audience a weakness that Othello had previously tried to mask. Cassio is tempted by Iago as well. At first rejecting the offers to drink, he soon succ ...