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If the 1991 box office success of Thelma and Louise was unexpected, more surprising was the heated debate that followed its release, a debate over the film’s political status and social implications. While Joan Smith of The Guardian argued th ....

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... between realistic narrative and surrealistic image, Thelma and Louise problematizes such oppositional readings as well as such familiar oppositions as masculine and feminine, positive and negative images of women, reinscription and subversion of patriarchal ideologies. The tension between the film’s uses of narrative and image works to interrogate and problematize both feminist and antifeminist assumptions about gender, power, and subjectivity. In Alice Doesn’t Teresa de Lauretis claims that Feminist film theory has gone well beyond the simple opposition of positive and negative images, and has indeed displaced the very terms of that op ...